20 January 2009
We are very excited to be working with Tate Modern on a weekend of screenings and discussion that will" explore the relationships between drawing, moving image, and the influence of digital technologies". Though I keep on calling it 'Animate Breakdown', which isn't sending out the right signals at all...
On 21 March, the Animation Breakdown Study Day will kick off with an illustrated talk by Brussels based curators Stoffel Debuysere and Maria Palacio Cruz. Artist panels will focus on drawing, photographic and digital practice. Confirmed participants include: Simon Faithfull, Ann Course, Dryden Goodwin and Emily Richardson. International artists attending include Joshua Mosley (USA) and Samba Fall (Senegal/Norway). The sessions will be chaired by curator Angela Kingston, Steven Bode (Director, Film and Video Umbrella) and David Chandler (Director, Photoworks).
On Friday 20 and Saturday 21 there are two 'Computer Baroque' screenings, curated by Richard Wright. Short Films on the Friday - a selection of defining works in the history of artists’ digital moving image that represent a period in which computer animation was the focus for the most audacious and exuberant experiments across all areas of new media, art and technology. The programme includes rarely seen works by Karl Sims, William Latham, Paul Garrin, Tamas Waliczky, Ruth Linford, Shelley Lake and James Duesing.
And on Saturday, a rare screening of WAX, or The Discovery of Television Among the Bees (David Blair, USA/Germany, 1991) - one of the earliest examples of how to use inexpensive, digital production methods, including computer animation by the now well-known media theorist Lev Manovich. Blair constructs a long-form, hallucinatory narrative that ties together the first Gulf War, flight simulators, psychic research...and bee keeping. Followed by a Q&A with David Blair.
Booking information and online booking here.
We'll be updating the programme here.
Organised by Animate Projects and Tate Modern in association with the Animation Department at London College of Communication, University of the Arts London and The Drawing Room Gallery. Supported by Arts Council England.
The image is from Time Tear by Sebastian Buerkner.